A Message from the Director
2024 Another Great Year – We Thank You!
We thank you, our friends, and supporters who made possible all the great events and programs in 2024 at Mexic-Arte Museum. The community’s invaluable support makes possible interesting exhibitions, exciting cultural events, and artistic education programs. Your contributions have allowed us to serve the growing number of visitors, students and families throughout the year. We invite you to make your end of the year donation to Mexic-Arte Museum. We truly appreciate you and your support!
A Glance at Mexic-Arte Throughout the Year!
January 2024
First Cohort of Latino Museum Internship Expansion Project Interns
February 2024
Presenting: Mix ‘n’ Mash: Celebrating Austin
March 2024
El Mero Muro, Forever Tejas, by Steven Longoria
April 2024
Cinco de Mayo Luncheon
May 2024
Taste of Mexico, A Cinco de Mayo Celebration
June 2024
An Encounter with Changarrito: A Conversation
July 2024
Nuestro Mundo Screen-It! Summer Camps
August 2024
Banner Project Ribbon Cutting Ceremony
September 2024
Opening of Path to the Altar: Community Ofrendas
October 2024
41st Annual Viva La Vida – Day of the Dead Fest & Parade
November 2024
Las Calaveras & Muertos Mercado
December 2024
Opening of El Nacimiento
Executive Director
Sylvia Orozco
Exhibitions
Path to the Altar – Where Our Community Gathers
As the year draws to a close, Mexic-Arte Museum takes a moment to reflect on the meaningful connections and collaborations we’ve had the privilege of nurturing throughout 2024. One of the highlights of this year has been the exhibition Path to the Altar: Community Ofrendas, which has not only showcased the vibrant traditions of Día de los Muertos but also served as a platform for strengthening bonds within the community. This exhibit has allowed us to celebrate and honor the rich cultural heritage of our diverse audiences while fostering deeper connections with artists, community members, and collaborators alike.
We would like to extend our deepest appreciation to the dedicated teams and collaborators who have made Path to the Altar: Community Ofrendas a truly special and impactful exhibition. We recognize the invaluable contributions of the team at the Emma S. Barrientos Mexican American Cultural Center, La Peña, in collaboration with Reverend Lydia Hernandez and the South Texas Human Rights Center, whose passion and vision helped bring this exhibit to life. Our heartfelt thanks also go to Monica Maldonado with MAS Cultura, and all of the participants who created contemplative altares inspired by the Museum’s permanent collection, beautifully blending tradition with contemporary artistry.
We are also deeply grateful to the Arriaga-Gonzales and Chávez-Martínez families for their contributions, as well as the talented artists Emmily Arenas, Micayla Garza, Michael Menchaca, and Alán Serna, who brought their unique perspectives and creativity to the exhibition. Their artwork not only enriched the experience but also allowed us to honor the cultural significance of the ofrendas in a way that connects generations, communities, and traditions. In addition, we thank all contributors, art installers, and the Mexic-Arte staff who made this exhibition a success.
You can still see Path to the Altar: Community Ofrendas! This exhibition will be up until January 5, 2025.
El Nacimiento at Mexic-Arte
Come to Mexic-Arte to Learn More About the Tradition of Nacimientos!
Nacimientos (Nativity scenes), manger, or belenes are traditional elements of the Christmas season in Mexico, especially among Catholic communities. However, it is not necessary to belong to a religious tradition to appreciate the creativity, craftsmanship, aesthetics, symbolism, and dedication involved in assembling or creating a nativity scene.
The tradition of nativity scenes dates back nearly 800 years to Saint Francis of Assisi, who first created a life-size nativity scene in Italy, featuring real people and animals. Over time, the practice spread throughout Europe, particularly in religious settings. By the 15th century, smaller figurines were introduced, making it easier for people to set up nativity scenes in their homes.
In Mexico, this tradition began during the early years of the conquest as a strategy to aid in the evangelization of indigenous peoples. Over the course of five centuries, both the composition and technique of the nativity scene have evolved significantly. It is difficult to pinpoint the exact elements that made up the original nativity scene but typically a visual representation of the birth of Jesus Christ is present, and may have scenes from heaven and hell.
The diverse array of nativity scenes is deeply shaped by the cultural traditions of each region or town, as well as by the unique geographical features of the area. The nativity scene featured in this gallery was curated by artist Emmily Arenas and Mexic-Arte’s Preparator Oscar Briseño-Guerra and includes pieces generously donated by collectors Edwin R. Jordan and Charles H. Geffen.
El Nacimiento will be on display from December 7, 2024 – January 7, 2025.
Mix ‘n’ Mash: Ecos del Pasado/Echoes of the Past
Mexic-Arte Museum Collection
Every year the Mexic-Arte Museum invites emerging and established artists to create art on quality panels donated by Ampersand Art Supply. These panels are then part of the museum’s Mix n Mash exhibition. This group exhibition displays artworks from over 200 local and regional artists.
The art sale not only increases awareness about the visual arts and art collecting in the community, but also provides funding for the Museum’s exhibitions, supports educational programming for children and adults, and sustains upkeep and care of the permanent collection. Artworks may also be purchased through the museum Online Store.
Artists: Please come by the museum and pick up your board so you can be part of our next exhibition!
Ecos del pasado/Echoes of the Past
This year’s Mix ‘n’ Mash theme, Ecos del pasado/Echoes of the Past, is inspired by the beauty and intricacies of nostalgia; these pieces should reflect a diverse range of perspectives, techniques, and creative expressions. From your favorite childhood TV show, a special moment shared with a loved one, a dish, a specific smell, a trip, a place, a restaurant that does not exist any more, or even a natural landscape. We encourage you to explore and express the unique ways nostalgia manifests in your own life or in the lives of those around you. What memories, moments, or feelings does nostalgia evoke for you?
Nostalgia allows us to reconnect with who we once were, offering both reflection and renewal. In your art, we hope you will capture the beauty of this emotional tapestry—inviting others to relive the echoes of their own pasts, even as they look forward to the future.
Not only does Mix ‘n’ Mash celebrate creativity, but it also serves a greater purpose. All proceeds from the sale of these remarkable pieces directly support the museum’s exhibition programming for children and adults.
HOW DO I PARTICIPATE?
- Starting December 11, 2024, Artists* may pick up ONE Gessobord at the Mexic-Arte Museum on Monday – Thursday 10 AM-6 PM; Friday – Saturday 10 AM-5 PM; and Sunday 12 PM-5 PM.
- A credit card will be kept on file when you pick up your Gessobord. If you do not return your Gessobord, $25 will be charged to the credit card on file.
- Every artist is free to create a work of art in any style (including figurative, conceptual, abstract, surreal, popular, etc.) and media (painting, printmaking, photography, and more) that depicts the theme.
- Board numbers are assigned, please check the back of your board for your number.
- Before returning your board, fill out the registration form that is attached to the back of your board and the online form. Artists must complete both digital and hardcopy forms to be compensated.
- We ask that all completed submissions be delivered to the Museum by January 22, 2025 (late submissions will be accepted, but may not be included in the opening reception).
- Please drop off or mail your board to our store. Please do not ship any blank boards!
*Please note that children are not allowed to participate in this exhibition, we ask that all participating artists are 18+
Calaveras at Republic Square – A Huge Success!
During October 2024 Mexic-Arte Museum partnered with the Mexico City-based Colectivo Última Hora to create four large-scale fiberglass skulls that have been painted by four Austin-based artists: Ruben Esquivel, NIZ, Carmen Rangel, and Ryan Runcie. These artists have created imagery relating to Republic Square’s history, a central point for the city’s diverse communities. This space has hosted pivotal moments in Texas history, city celebrations, and day-to-day commerce. It continues to serve as a gathering place for community events, standing as an active park that connects modern-day Austin with its past. Through Las Calaveras at Republic Square, we acknowledge and highlight the Mexican, Mexican American, and Black communities, as well as the Tonkawa tribe.
Now the calaveras have moved from the lawn to the sidewalk plaza next to Rosen’s Bagels. You can still go and observe this incredible outdoor exhibit at Republic Square! The Las Calaveras at Republic Square exhibit is significant because it celebrates the intersection of diverse cultures in Austin. The fiberglass skulls, painted by local artists, explore the history of Republic Square, a key gathering place for various communities. By tying together cultural identity, local heritage, and community unity, the exhibit fosters a deeper understanding of Austin’s multicultural past and present. For more details, visit the Mexic-Arte Museum’s website.
We thank Colectivo Última Hora, Niz, Carmen Rangel, Ruben Esquivel and Ryan Runcie as well as our installation team for making this exhibition possible.
November Changarrito Artist, Juan Zavala Castro
About the Artist:
Juan Zavala Castro is a multidisciplinary artist based in San Antonio, Texas. Born and raised in Coahuila, Mexico until the age of 12, much of his work reflects his past and explores a now distant cultural connection. Juan is the Education and Public Programs Manager at the Contemporary at Blue Star in San Antonio, Texas, and has worked in arts education for the past ten years. His 2D work is characterized by the use of graphite and charcoal, creating drawings defined by their darkness and contrast. Juan also creates works of stoneware ceramic and porcelain, paying close attention to detail and shape, resulting in decorative objects like mugs adorned with beautiful imagery.
Juan was at the Mexic-Arte Museum featuring his artwork on the Changarrito cart right outside the Museum’s entrance on November 10th, 16th, and 17th from 12 – 3 PM. Mexic-Arte Museum’s Curator Luisa Fernanda Perez and 2024 Curatorial intern Marienne Duran Henriquez interviewed Juan and discussed some of his prints and future projects. View the interview here.
Check out Juan’s work: here.
About Changarrito Program
Changarrito is an art vending cart conceptualized by artist Maximo Gonzalez as an alternative to the official gallery selection presented by the Mexican cultural authorities. True to the Mexic-Arte Museum’s mission, the Changarrito is dedicated to the presentation and promotion of contemporary Latinx and Latin American art. Artists sell their art on the Changarrito cart in front of the Museum (or an offsite location, as a representative for the Museum during various Austin festivals). It expands the reach of the artist by presenting their gallery online, while allowing the option to sell merch over Instagram and receive 100% of the sale.
December Changarrito Artist, Christine Suggs
About the Artist
Christine Suggs is a comic artist and designer living in Dallas, TX with their wonderful partner, dog, and cat. Their debut book, ¡AY MIJA! is a YA graphic novel about spending their summers in Mexico as a teen and was released in spring 2023 from Little Brown Young Readers. Christine’s work has been featured in the Washington Post, Lean In, Central Market, and the It Gets Better Project.
Artist Statement
“I am half-Mexican, and as such, always felt in-between worlds: I was too white, too Mexican, and never enough. My book, “¡AY, MIJA! My Bilingual Summer in Mexico” crystallizes these feelings into a graphic novel memoir about teenage Christine on a trip to stay with their grandparents. They struggle with language, their queerness and how it relates to their Catholic upbringing, and the weird but wonderful feeling of a family that you can’t fully communicate with. I seek to explore the intersectionality of my experiences through creating comics and illustrations about gender, race, language, fatness, and inequality.”
Listen to Mexic-Arte Museum’s Changarrito Instagram Live Interview with artist Christine Suggs here!
Check out Christine’s work: here.
Collections
Path to the Altar: Community Ofrendas Features Mary J. Andrade
In honor of the current exhibition, Path to the Altar: Community Ofrendas, the Mexic-Arte Museum would like to highlight one of the pieces from the Permanent Collections that is on display. These particular pieces are a photograph series by Mary J. Andrade depicting the Kakchiquel Indigenous people of Guatemala’s of flying giant barriletes.
One of the most colorful and original ceremonies within the popular traditions of Guatemala is the giant barriletes (kites) that fly in Sacatepéquez for All Souls’ Day and All Saints’ Day in the month of November. Immense barriletes soar through the air from the cemetery of this Kakchiquel Indigenous population. However, they are not simple kites full of color as seen from the tourist’s perspective; instead, they have deep cosmogonic significance. According to a popular legend of the municipality, every November 1st, evil spirits invade cemeteries to disturb the good souls that rested in the enclosures. Such discomfort caused the souls of the dead to wander through the streets and homes of Sacatepéquez. The solution, recommended by the community guides, was to force the intruders to retreat by lifting pieces of paper against the wind, as it was believed that the impact of the wind against the paper would drive them away. The locals then made the objects that became barriletes. It is said that the evil spirits were finally driven away, leaving the other souls to rest in peace. The barriletes are a combination of art, tradition, and color, through which messages of unity, love, and faith are transmitted, as well as showing respect for customs and Mother Earth.
Andrade is a native of Ecuador. She established her residence in the United States in 1967. She received her B.A. in Journalism from the University of Guayaquil, Ecuador, and specialized in photography in the United States. Andrade began researching Día de los Muertos ceremonies in 1987 in Janitzio, Michoacán. Each year until 2016, Andrade gathered information and took photographs of customs from different states. Through observation and study, she learned the subtle differences in these traditions among the various states, and above all, she discovered a deep respect for these age-old practices. Andrade has received multiple awards for her work, including photographs and several books, which include “Through the Eyes of the Soul, Day of the Dead in Mexico,” published in 2000, and “Day of the Dead, A Passion for Life,” published in 2007. In addition, Andrade acted as Cultural Advisor for the Disney Pixar 2017 Academy Award-winning film Coco. You can see these photographs by Mary J. Andrade and so many more wonderful pieces from our Permanent Collection in, Path to the Altar: Community Ofrendas, from September 27th, 2024 – January 5th, 2025!
Education
Fall 2024 Internship Closing Reception
On Friday, December 13th, the Mexic-Arte Museum celebrated the successful completion of the Fall 2024 Cohort, the third group of interns from the Latino Museum Internship Expansion Project! This season’s cohort was an integral part of the development of many special events such as the Viva La Vida parade, Muertos Mercado, as well as the installation of the El Nacimiento exhibit, Las Calaveras at Republic Square, and the realization of the ABCDía de Los Muertos Coloring Book.
Thank you to all of the wonderful Fall 2024 Interns:
Collections Intern: Peyton Rudd – UT Austin
Curatorial Intern: Marienne Durán Henriquez – Texas Tech
Development: Shivangi Ojha – UT Austin
Digital Media Department: Rachel Salcido – UT Austin
Education Intern: Aldo Frausto – UT Austin
Education Intern: Adelina Hernandez – UT Austin
Graphic Design: Sofia Palacios – Austin Community College
Marketing & Special Events: Georgina Vargas – UT Austin
At the closing reception, interns shared presentations about their time at the Mexic-Arte Museum, highlighting the projects they worked on, the mentors who guided them, and the impact the internship had on their personal and professional growth. After the presentations, staff and interns came together to enjoy lunch and exchange stories, reflecting on their experiences and looking ahead to future opportunities.
Applications for the Spring internship program are currently open. Interested applicants can find more information here. Thank you to the Institute of Museum and Library Services for supporting this initiative.
Fall 2024 Internship Spotlight!
“I am a mathematics and art history double major with a minor in government and a certificate in core texts and ideas at UT Austin. I am interested in museum work and particularly cultural exhibit spaces. I have previous experience handling and cataloging delicate materials, giving me the skills to work in the collections here. Further, I have taken multiple art history classes focused on Latin American art and felt I could expand my knowledge with this internship.
My favorite project has been helping to deinstall the exhibit at the Mexican Consulate! I enjoyed seeing the process of taking down the artwork and the different considerations that must be accounted for, such as the type of paper used to wrap and the specifics needed on condition reports.
I want to go to graduate school to get my PhD in art history and go into curation, so seeing how the collections and curators interact gives me the necessary insight into the flow of exhibit planning. Also, learning how museums catalog and handle the works is very practical and expands on my previous experience in an archival space.
I worked here while also still working at the Benson Latin American Collection and have loved comparing how library spaces are similar and different from the museum. Also, learning more about Latin American works and traditions has helped me connect with my family more, as my stepdad and his family are from Juarez!”
“My name is Sofia Palacios, and I’m studying Film & Animation at Austin Community College. I believed that working at an art museum would be the ideal way to surround myself with art and the community. Before working at Mexic-Arte, I had visited the Creating Encuentros: Changarrito exhibit. Soon after, I saw that the Mexic-Arte Museum participated in the Latino Museum Internship Expansion Project with several unique internship roles that piqued my interest, especially Graphic Design. I felt it was the perfect opportunity to take alongside my studies as a Texan, Mexican American woman, graphic designer, and aspiring filmmaker. It had been one of my dreams to be a part of an art museum, and it felt so natural for me.
My favorite project during this internship was being the illustrator for the ABCDía de Los Muertos Coloring Book for this year’s Muertos Mercado. Working together with the team to create this beautiful book took a lot of hard work and dedication. This internship has exposed me to the tangible creative process in a collaborative environment that leaves a direct impact on the community. The stakes were higher than in any academic setting, so it was incredibly helpful learning to adapt to deadlines and restoring the integrity of the museum through any illustrations or designs I made for our events or activities. It was also incredibly helpful to work under someone’s creative direction by receiving feedback, critique, and encouragement, similar to any future studio where I will work as a creative team member. Lastly, this internship has brought me closer to my roots. I have learned a lot about my Mexican culture that I wish I would have known otherwise, and it is so fulfilling to be part of the mission to educate. As an artist and aspiring filmmaker, my future career will be a testament to stories often forgotten or underrepresented. I plan on transferring to an art school out of state to study character animation. I want to challenge myself, and I’m so excited for what’s to come.”
“My name is Adelina Hernandez, and I am a 2nd year art education major at The University of Texas at Austin. As a future educator, I thought working for Mexic-Arte would be a great way for me to learn how people engage in museums, as those educational institutes have a more non-traditional way of teaching than classrooms.
My favorite activity so far has been working on the informational sheets for Viva la Vida because I experimented with layouts and information output. It felt very collaborative with art, history, and teaching aspects coming together, and seeing them in their finished product felt very rewarding.
This internship is benefiting my career by teaching me the technical effort behind activities that educational institutions offer, and it helps me think about how I would want to present information in my future classroom that will promote engagement and learning. There’s always something more to learn, and Mexic-Arte is the first step I’m taking to expand my knowledge of the inner workings of education. Everything I’m involved in and taking part in is teaching me something new, whether it’s a new art technique or figuring out what excites students about learning or doing something new. Learning how to teach in a non-traditional teaching environment is something that I feel Mexic-Arte is exposing me to and it’s something that I know is benefiting my career. I look forward to my first student teaching experience and how I will carry what I’ve learned here at Mexic-Arte in the classroom.”
“My name is Shivangi Ojha, and I am a third year International Relations & Global Studies major attending UT Austin! My passion for NGO development led me to apply for the Development Intern position here at Mexic-Arte, and it has been so special! Helping our Development Coordinator, Alyssa, with grant research and writing, donor outreach, and volunteer coordination has taught me a ton about the inner workings of a nonprofit and of an art museum. I will use the skills and experiences I’ve learned here at Mexic-Arte to further my career in NGO development, hopefully moving into national- and international-level NGO work in the future! Thank you Mexic-Arte!”
“My name is Aldo Frausto, I’m studying at The University of Texas at Austin in the College of Education, majoring in Youth and Community Studies with an emphasis in Educational Leadership and Policy. I applied to the Mexic-Arte Museum Latino Museum Internship Expansion Project to gain a deeper understanding of the inner workings of a museum. I was also interested in exploring how the arts could be combined with traditional education, bridging creative expression with academic learning. This experience allowed me to see how museums serve as educational spaces while fostering cultural appreciation and community engagement.
My favorite project so far has been the Family Day mini piñata activity. It was rewarding to see families come together on a Sunday to learn how to create their own piñatas. The experience gave me a chance to connect with the community and gain insight into how they learned about the event. Witnessing the joy and creativity it inspired in both children and adults made it a truly memorable experience.
This internship has provided me with valuable skills that will benefit my career, including community engagement, personal growth, and cultural awareness. Working closely with the community has deepened my understanding of effective outreach and educational programming. Additionally, experiencing the operations of a museum dedicated to Mexican cultural art has given me unique insight into the preservation and promotion of cultural heritage. These experiences have broadened my perspective and prepared me for future roles.
I’m looking forward to graduating this December and pursuing a career in government. This next chapter excites me as I aim to apply the skills and experiences I’ve gained, especially in community engagement and cultural advocacy, to make a positive impact in public service.”
Come Tour Mexic-Arte!
Join Us on Sundays for Free Admission and Public Tours!
Thanks to the generous support of HEB and the Downtown Austin Alliance, we are pleased to offer free admission and guided tours at 1:00 pm every Sunday!
Our guided tours are a fantastic way for visitors of all ages to connect with traditional and contemporary Mexican, Latinx, and Chicanx art. These tours provide a deeper understanding of the vibrant art and culture on display.
Don’t miss this opportunity to learn about the history, symbolism, and cultural significance of Path to the Altar: Community Ofrendas before the exhibition closes on January 5, 2025.
We’d like to extend our heartfelt thanks to the following groups who recently visited the museum:
- Texas School for the Deaf
- Vista Ridge High School AP Spanish 4 & 5
In addition to our Sunday tours, the Mexic-Arte Museum offers guided tours Monday through Friday, from 10:30 AM to 4:00 PM. These tours provide in-depth insight into exhibitions, offering a unique opportunity to engage with the rich artistic traditions of Mexico and Latinx communities. Enhance your experience with hands-on activities designed to foster creativity and deepen your understanding of the exhibition. These activities are available for an additional fee.
Tour Pricing & Options
- Standard Tour Fee: $75, plus regular museum admission.
- Group Size: We can accommodate up to 25 visitors per tour.
Plan Your Visit
To schedule a tour, please fill out a tour request form on our website. For more information or to discuss specific needs for your group, contact Fabiana Muñoz Olmo at .
We look forward to welcoming you soon!
Screen-It in the School – Fall Semester
This fall our teaching artists have taught screen printing to students at Covington Middle School, KIPP Austin Brave High School, George Morales Dove Springs Recreation Center, Travis Early College High School, and Widén Elementary. This fall, students learned about Día de los Muertos traditions and celebrations and reflected on their own personal traditions and celebrations to create designs to screen print onto t-shirts or tote bags. Students also took inspiration from elements of the Viva la Vida Parade, the current exhibition- Path to the Altar: Community Ofrendas, and artwork in our collection. We are very proud of the work that the students have accomplished in learning how to screen print, create original designs, and make artwork to express themselves proudly.
Thank you to Austin Public Health Community Youth Development and Office of Violence Prevention for funding these projects. Thank you to the art teachers at these schools for welcoming our program and for collaborating with us in teaching these classes. Thank you to Mexic-Arte Museum Teaching Artists who have generously shared their practices and encouraged these students to excel in screen printing and design: Marietta Aburto de la Fuente, Meredith Agerton-Diebold, Monica Bushong, Kaelyn Huang, Angel Ortega, Alé Moreno, and Andrea Pilonieta.
The Newest Mural Project at Burnet Middle School
The latest project from El Mero Muro: Murals in Schools was unveiled at Burnet Middle School’s Holiday Festival. Students, families, and community partners came together to celebrate the end of the semester with student performances and seasonal crafts. Artists Jarrid Williams and Myra Roze and art teacher Griselda Peña revealed their newest mural completed by art students this fall. The artwork is their reinterpretation of A Sunday Afternoon on the Island of La Grande Jatt by George Seurat, featuring iconography of piñatas, tacos, and dancing as an expression of their community identity.
Thank you to the Office of Violence Prevention for funding these projects and supporting Austin-area schools. Thank you to Burnet Middle School for welcoming our program and collaborating with our artists to provide opportunities like these. Thank you to our Teaching Artists for generously sharing their practices and encouraging these students to develop their unique artistic style!
If you are a Title 1 school in the Austin area interested in bringing muralism to your students, visit our website to learn more.
Screen-It at J. Colunga’s 16th Annual Car Show
On Saturday, November 30, 2024 Mexic-Arte Museum Art Educators had the opportunity to screen print at the J. Colunga’s 16th Annual Car Show at Palmer Events Center. Meredith Agerton Diebold and Alé Moreno screen printed bags and bandanas with lowrider designs for the car show attendees to proudly display during the event. Thank you, MAS Cultura, for inviting us to this exciting event!
A Heartfelt Thank You for Joining Us on Family Day
We extend our sincerest gratitude to everyone who joined us on Sunday, December 8th, for a festive and creative Family Day at Mexic-Arte Museum! In celebration of the opening of El Nacimiento, participants had the opportunity to make mini piñatas, embracing the vibrant and multicultural tradition of piñata making.
Special thanks to Aldo Frausto, Mexic-Arte’s Education Intern, for leading this wonderful hands-on activity, guiding families, community members, and museum visitors through the piñata crafting process.
Our Family Day events are always free of charge, making them a great way for youth and families to engage with art and culture in a fun, interactive way. A huge thank you to H-E-B, our generous sponsor, for their continued support of our Family Day activities. Stay tuned for more exciting Family Day events coming this fall!
Education Staff Member Receives City of Austin Nonprofit Business Skills Certification!
The City of Austin Department of Economic Development offered a series of classes to provide small businesses, nonprofits & creative professionals with the tools and resources to succeed. Congratulations to Richard Greene, our Education & Outreach Coordinator on completing the coursework and receiving this certificate.
Development
Special Thank You to 2024 Sponsors
To our 2024 sponsors, we have one thing to say – THANK YOU! You have made a wonderful year of exhibitions, events, and educational programming possible. We are honored to receive the level of community support that we do, and we are so thankful to the foundations, businesses, and individuals who choose to invest in their community institutions. Every dollar that comes into Mexic-Arte goes towards our mission – enriching the community for visitors of all ages.
To those sponsors who have returned, welcome back! To those who gave for the first time this year, we’re glad to have you! To those who will join the Mexic-Arte family as a 2025 sponsor, we can’t wait to meet you!
5th Street Block Party at The Thompson
On Sat. Dec. 7th, Mexic-Arte Museum partnered with the Thompson Hotel in the 5th Street Block Party for a special celebration to honor the rich Latino heritage that infuses our community with vibrancy and history. The Thompson Austin hosted a lively 5th Street Block Party, bringing together neighbors, guests, and the public for a day of music, food, and culture. Mexic-Arte Museum showcased unique items from the museum’s gift shop, such as children’s books, take-home gifts, handcrafted jewelry and prints. Thank you to The Thompson team for inviting Mexic-Arte Museum to participate in this festive event!
Store
Shop the Mexic-Arte Museum Store!
Shop our Holiday Collection! Browse through greeting cards, socks, ornaments and more!
Thank You to Our Sponsors
Learn more about the Mexic-Arte Museum
Operations, Exhibition and Art Education Programs Support: Air Garage, Alpha Ready Mix Cement, Ampersand Art Supply, Applied Materials, Arriba Abajo, Austin Convention Center, Austin Creative Reuse, Austin Independent School District Creative Classrooms, Austin Lowriding, Austin Saltillo Sister Cities Association, Peter M. Baez, Michael Best, the Brown Foundation, Brown Distributing Company, Capital Printing, Chase Bank, Chez Zee, Juan & Martha Cortera, Christina Corona, Center for Mexican American Studies – UT, City of Austin Departments: Cultural Arts Division; Economic Development; Health Department; Community Youth Development Program; Parks & Recreation; Public Works; and Special Events; Clay Imports, Consulate General of Mexico in Austin, Coca-Cola Southwest Beverages, Erwin Cuellar, Libby & Congressman Lloyd Doggett, Downtown Austin Alliance, Dr. Karen Davalos, Dulce Vida, Endeavor Real Estate Group, Fenix Post Tension, Inc., Fonda San Miguel, Ford Foundation, Frost Bank, Frutiva, Tom Gilliland, Juan J Gutierrez, Charlotte Hage Dalbey, Bob & Marisa O’Dell, Jennifer Hage Bond, Patricia Hage Hirsh, Robin Suzanne Hage, H-E-B, H-E-B Tournament of Champions, Hendler Flores Law, IBC Bank, IBM, Institute of Museum & Library Services, Ed Jordan, JP’s Peace Love & Happiness Foundation, La Voz, Linbeck, LMN/Page, Ann McEldowney, Bettina & Travis Mathis, Mellon Foundation, Miguel Lara Productions, Graves Dougherty Hearon Moody, Gloria Moore, Timothy Morris, National Endowment for The Arts, National Endowment for the Humanities, Nettie & M.K. Hage Family, Pastrana & Garcia Injury Law, Laurel Prats, Gloria Reyna, Red River Rising, Elizabeth Rogers, Paul Saldaña, Saldaña Public Relations, Serie Print Project, Siete, Silcone Labs, Siller Preffered Services, Sonrisas Dental Center, Spurs, State Farm, Susto Mezcal, Ingrid and James Taylor, Texas Commission of the Arts, Texas Gas Service, Texas Tribune, Thompson Austin, UFCU, Univision, Warfield Center, Lola Wright Foundation, Jerome Zamora, Jane & Manuel Zuniga, and Mark Zuniga, 3M – Austin